Everything Everywhere All At Once wins a many oscars this year by Adriana Pech

Introduccion: From IRS audits to sentient rocks to hot dog hands and beyond, the mundane and the inane collide with the profound in “Everything Everywhere All at Once,” the Michelle Yeoh A24 action sci-fi pic that’s drawn at-times-ecstatic acclaim since opening in limited release last month. Written in 2016, “Everything Everywhere” was in part a product of the “contradictions and emotional whiplash” of being very online at the time. “The internet had started to create these alternate universes,” said Kwan. “We were for the first time realizing how scary the internet was, moving from this techno optimism to this techno terror. I think this movie was us trying to grapple with that chaos.” Daniels credit their style and tone to the “weird algorithm” that fed them a steady diet of unconventional YouTube videos, influencing their own absurdist shorts and hit videos like DJ Snake’s “Turn Down for What,” in which people rhythmically hump-crash their way through an apartment high-rise.

Why did the movie win? They did it. Best Picture winner Everything Everywhere All at Once — which, despite its maximalist name, isn’t a “big” movie, like some of its fellow Best Picture nominees — won the big prize. It’s not the sort of film directors make assuming it will win them Best Picture. Weird, sweet, and frenetic, shot on a modest budget and released in the spring, it started slow, with a limited rollout. But once it began picking up steam, it became a force to be reckoned with. The reason was old-fashioned and simple: word of mouth. Not just casual recommendations, but exuberant word of mouth. People who saw Everything Everywhere tended to at least like it — and, in many cases, fall head over heels for it. It’s a multiverse action comedy-drama about immigrant parents who run a laundromat that’s getting audited by the IRS, but also, there’s an evil bagel. There are martial arts and hot dog fingers; there are rocks with googly eyes; there are tributes to Ratatouille and to the films of Wong Kar Wai and the tuneful stylings of one-hit-wonder band Nine Days. Audiences tweeted and called their moms and brought their friends said Alissa Wilkinson covers film and culture for Vox. Alissa is a member of the New York Film Critics Circle and the National Society of Film Critics.

Conclusion: In conclusion, this is a movie with an original, to win an "oscar" the movie needs principles to be a fantastic movie, for example, the guide, cinematography, the actors have good action, etc.

Reference: Yamato, J. (2023, January 24). A24’s “Everything Everywhere All at Once” explained - Los Angeles Times. Los Angeles Times. https://www.latimes.com/entertainment-arts/movies/story/2022-04-14/everything-everywhere-all-at-once-explained-daniels-spoilers Wilkinson, A. (2023, March 13). Oscars 2023: How Everything Everywhere All at Once became the Best Picture of the year. Vox. https://www.vox.com/culture/23637197/everything-everywhere-best-picture-oscars-why-michelle-yeoh-ke-huy-quan